GForce ImpOSCar2 V2.0.1-UNION
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GForce ImpOSCar2 V2.0.1-UNION
GForce impOSCar2 v2.0.1-UNION: A Reimagined Classic Synth
If you are looking for a software synthesizer that can emulate the rare and classic OSCar synth with some added features and enhancements, you might want to check out GForce impOSCar2 v2.0.1-UNION. This is the successor to the multi-award winning impOSCar software synthesizer, which was a component emulation of the OSCar with polyphony and on-board effects.
GForce impOSCar2 v2.0.1-UNION takes the original impOSCar to new sonic heights by incorporating the best of user feedback and innovative features, such as two oscillators with 13 waveforms, new mono unison and poly unison modes, new aux mod section with comprehensive routing, programmable additive wave matrix grid, nine filter types with drive, cutoff, Q and separation, new chord memory and single note retrigger, six portamento modes with new unison glide voice spread, new unison voice pan, new note pan modes, programmable velocity responses and new aftertouch, improved arpeggiator, new instrument and effects versions, small, regular or large interface sizes, new ring modulator, new chorus modes and a 1000+ patch library featuring sounds created by original OSCar users including Billy Currie (Ultravox), Darren Price & Rick Smith (Underworld), Paul Hartnol (Orbital), & Paul Wiffen (the original OSCar sound designer and programmer for Stevie Wonder & Jean Michel Jarre).
GForce impOSCar2 v2.0.1-UNION is compatible with Windows and Mac OS X platforms and can be used as a standalone instrument or as a plugin in your favorite DAW. You can download it from the official website of GForce Software[^1^] or from other sources such as GFxtra[^2^]. However, be aware that this is not a free software and you will need a valid license to use it legally.
If you are interested in hearing how GForce impOSCar2 v2.0.1-UNION sounds like, you can listen to some audio demos on SoundCloud by Oscar Silva[^3^] and Megan Dudley[^4^]. You will be amazed by the versatility and richness of this synth that reimagines the UK-built 80s classic and soars to new sonic heights.
The OSCar was not only a powerful synth in terms of sound, but also in terms of control. It was one of the first synths to have MIDI, which was added in later versions. It also had a CV/Gate interface and an external input that allowed processing external signals through the filter and envelope. The OSCar also had a unique feature called \"Keyboard Control\", which enabled the user to assign various parameters to the keyboard, such as filter cutoff, LFO speed, oscillator mix and more. This allowed for expressive and dynamic playing of the synth.
The OSCar was designed by Chris Huggett, who had previously worked for Electronic Dream Plant (EDP), the makers of the Wasp, Spider and Caterpillar synths. The OSCar was a result of his desire to create a programmable Minimoog-like synth, after being disappointed by Moog's own Source. He also wanted to incorporate some of the features of the EDP synths, such as digital oscillators and additive synthesis. The OSCar was launched in 1983 by the Oxford Synthesiser Company (OSC), which was formed by Huggett and independent product designer Anthony Harrison-Griffin, who was responsible for the distinctive look and build of the OSCar. [^1^] [^2^]
The OSCar was well received by many musicians, especially in the UK, where it was championed by some of the biggest-selling bands of the early '80s, such as Ultravox and Asia. It also found international fame with Jean-Michel Jarre and Stevie Wonder, who used it extensively on their albums and tours. The OSCar was praised for its rich and versatile sound, its unique filter and its expressive control. It was also admired for its rugged and distinctive design, which featured black rubberized components to protect the controls and main casing. [^2^] [^3^] aa16f39245